royal albert hall phantom of the opera cast

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This version is made for the viewer at home it doesn’t feel as if you are simply watching an audience experience half of what you cannot.

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The dreamy transitions and strong cinematography are evidence of a creative team who know what makes good TV as well as theatre. This recording, however, took its medium change into account and is expertly edited in a way that still manages to immerse the audience. To capture the atmosphere and the excitement of a live performance is not an easy feat in fact, it seems to be the Achilles heel of most shows viewed via online streaming. With fabulous staging, performances and even nods at the play’s legacy – with appearances from the original UK cast – everything about the Royal Albert Hall’s production feels polished and impressive. The Phantom of the Opera (Ramin Karimloo) gives Christine her dreams of stardom, but at what cost? The 2011 staged version does the iconic tale justice. The story is set in 1881 Paris, where Christine (Sierra Boggess) is thrown into the spotlight as she becomes the obsession of a mysterious man who haunts the theatre in which she works. With its high production value and attention to detail, it proves to be one of the best-recorded performances to date and something no musical lover will want to miss.īased on Gaston Leroux’s novel, the Tony award-winning work has always been a classic that is fun to watch.

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The acclaimed anniversary production of the show, originally performed at the Royal Albert Hall in 2011, is now free for 24 hours on Andrew Lloyd Webber’s new YouTube channel.

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In Kim Newman's short story 'Angels of Music' from the Tales of the Shadowmen anthology series, Carlotta is implied to be the ancestor of Bianca Castafiore from The Adventures of Tintin comic series.Theatre generally suffers when viewed in film form as opposed to being seen in person however, The Phantom of The Opera proves to be just as compelling a watch in the comfort of your own home as it is live in a grand theatre. Inspired by the original staging by Hal Prince and Gillian Lynne, this lavish, fully-staged production set in the sumptuous Victorian splendour of London’s legendary Royal Albert Hall features a cast and orchestra of over 200, plus some very special guest appearances.

In Nicholas Meyer's 1993 novel The Canary Trainer, the characters of Carlotta and La Sorelli are combined into one, despite being mentioned as separate characters in the original novel. Due to Driver's lack of experience in opera, her singing voice was dubbed by opera singer Margaret Preece, although she lent her actual voice to the song ' Learn to Be Lonely' during the end credits. In the Lloyd Webber- Joel Schumacher 2004 film version, she was played by Minnie Driver. Carlotta and tenor Ubaldo Piangi are lovers she often turns to him for consolation when things go wrong, and she breaks down crying when his murdered body is discovered onstage. The opera company's prima donna, she despises Christine Daaé and sees the younger woman as a threat to her job and Phantom's courtesan, when Christine achieves prominence due to the Phantom's dirty tricks. In Andrew Lloyd Webber's 1986 musical production, Carlotta (last name Giudicelli) is from Italy and is one of the major singing parts. Biancarolli who has been drugged by the Phantom and murdered along with her maid when she tries to force him to take off his prop mask. These changes are also the same in the 1929 silent, foreign cut of the film (which is most commonly viewed). Virginia Pearson still appeared in new scenes, now playing Carlotta's mother. In 1929, new sound scenes were filmed and Mary Fabian was recast as Carlotta, due to the fact that she could sing. Ashamed, she hides from the public view for a few weeks, before making a return to the opera house.Ĭarlotta is portrayed by Virginia Pearson in the original 1925 silent film with Lon Chaney. When she does, however, croaking noises come out of her mouth and the chandelier comes crashing down.

She shrugs the warning off and performs anyway. Later in the novel, she is threatened by Erik that if she performs at the Opera House 'a great misfortune will strike'. The first time that she is mentioned in the novel is during the chapter 'The New Marguerite', where it is revealed that she could not perform at the ceremony for the former managers. In the novel, she is a minor character hailing from Spain.

She is the leading soprano at the Paris Opera House who is criticised by the narrator and the Phantom for the lack of emotion in her performances. Carlotta is a fictional character from Gaston Leroux's 1910 novel The Phantom of the Opera.